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Sigma and Paloma Faith exploring Miami streets in "Changing"

Posted by Kevin Z. Rong Wednesday, July 23, 2014

British drum 'n' bass production duo Sigma, also known as Cameron Edwards and Joe Lenzie, who made headlines with their chart-topping hit single, "Nobody To Love," a rework of Kanye West's "Bound 2," which soared to the top of the charts in eight countries, is back with a music video for their new jam "Changing," featuring the fiery vocals from the talented Paloma Faith, whose soulful jazzy gospel vocals blend perfectly with Sigma's drum 'n' bass production, and the energy on this track is raw, and refreshing.
"Changing" is an epic storming dance cut given a powerful edge via Faith's booming, gospel-like, full orchestral sound, and the strings that fill the track throughout. The track is the first collaboration between raspy soul singer Faith and D&B superstars Sigma, as their sounds are complete opposite, but this has been a pleasant surprise, as Faith's vocals totally work with Sigma's signature drums and bass. "Changing" will be include Sigma's upcoming debut album, due in stores later this year via 3Beat/All Around the World Records. "Changing" was premiered on BBC Radio 1 during Annie Mac's July 11 show, and six days later, here's the accompanying promo!
Filmed in Miami's colorful back streets, the song's music video finds various acts heading to Miami as Faith exploring the streets of downtown Miami while performing the track in the backstreets of the Florida city before meeting up with Sigma's Edwards and Lenzie. It's a pretty simple video, but it really didn't need more. The summery vibe - anything filmed in Miami is summery - matches the upbeat sound of "Changing," although the song is more about a relationship going sour, hence the music video theme should be a more gloomy but whatever.
The 33-year-old Faith looks flawless and edgy as she cruises down the Little Havana neighborhood in a Cadillac, gets together with Sigma in front of a graffiti-filled wall, and belts her heart out the "Changing" notes sat on a house porch, with the track itself a brilliantly euphoric spring led drum and bass number which is sure to soundtrack radios, festival tents and pretty much everywhere else over the rest of the summer.

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