Natasha Khan, known by her stage name as Bat for Lashes, is ending 2012 on a high note. After releasing her third album, "The Haunted Man," in October to critical acclaim, the 33-year-old British singer returns post-apocalypse and gets mildly creepy to deliver a new coinciding aesthetic video for the shivery song, "A Wall." This one tells a labyrinth-like modern fairy-tale love story in a house party setting.
The haunting goes in all directions on Bat for Lashes' magnificent 2012 album, "The Haunted Man." The specter of war haunts the male characters, but "your ghosts have got me, too," Khan sings at one point, and on the cover she literally carries a man's weight on her shoulders. It should go without saying the record is haunting for the listener, too. "A Wall," a vocoder-inhabited electro-pop song with synth work by TV on the Radio's Dave Sitek, puts even more of the burden on Khan's lyrical protagonist, a situation that comes surreally to life in yet another spellbinding video from the album.
“A Wall” comes lensed once again by director Noel Paul, whose muse is clearly Bat for Lashes. This time around, however, Paul's got her in an intriguing blond-wigged, getting a little too saucy and extravagantly drunk at a strangely sedate party with actor Harry Treadaway, whose slight figure looks quite a bit like that of the man on album's cover. He's wearing something furry, and he's clearly somehow unwell. Haunted, even. Watch Khan roll around with a male furry in this cute, but semi-twisted love story that could have been easily shot at the Overlook Hotel from 'The Shining.' Surreal party, labyrinth and all.
A labyrinth-like hedge, through which the two fail to escape, subtly evokes the song's hook: "Where you see a wall, I see a door." Meanwhile, Khan nuzzles her uncanny man, whose odd attire also distantly recalls the fallen angel in R.E.M.'s classic, Gabriel García Márquez-inspired "Losing My Religion" video. It's not giving away too much to point out Khan looks happier, and more like herself, by the video's end - the wig comes off! - but all in all it's a vibrantly creative, beguiling look at the things we carry into our relationships. And how we keep each other from falling down.
The haunting goes in all directions on Bat for Lashes' magnificent 2012 album, "The Haunted Man." The specter of war haunts the male characters, but "your ghosts have got me, too," Khan sings at one point, and on the cover she literally carries a man's weight on her shoulders. It should go without saying the record is haunting for the listener, too. "A Wall," a vocoder-inhabited electro-pop song with synth work by TV on the Radio's Dave Sitek, puts even more of the burden on Khan's lyrical protagonist, a situation that comes surreally to life in yet another spellbinding video from the album.
“A Wall” comes lensed once again by director Noel Paul, whose muse is clearly Bat for Lashes. This time around, however, Paul's got her in an intriguing blond-wigged, getting a little too saucy and extravagantly drunk at a strangely sedate party with actor Harry Treadaway, whose slight figure looks quite a bit like that of the man on album's cover. He's wearing something furry, and he's clearly somehow unwell. Haunted, even. Watch Khan roll around with a male furry in this cute, but semi-twisted love story that could have been easily shot at the Overlook Hotel from 'The Shining.' Surreal party, labyrinth and all.
A labyrinth-like hedge, through which the two fail to escape, subtly evokes the song's hook: "Where you see a wall, I see a door." Meanwhile, Khan nuzzles her uncanny man, whose odd attire also distantly recalls the fallen angel in R.E.M.'s classic, Gabriel García Márquez-inspired "Losing My Religion" video. It's not giving away too much to point out Khan looks happier, and more like herself, by the video's end - the wig comes off! - but all in all it's a vibrantly creative, beguiling look at the things we carry into our relationships. And how we keep each other from falling down.
Estetik Confounded by the various news reports about the aesthetic
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