There is a growing legend out there that the ancient Maya predicted the world would end on Dec. 21, 2012. It doesn't. But, as with other topics based on a whiff of truth and a hint of hysteria, Hollywood is all over it. The disaster-movie veteran Roland Emmerich has given movie watchers several apocalyptic sci-fi thriller films in the past in "Godzilla," "Independence Day," "The Day After Tomorrow" and "10,000 B.C.," and he offers another look at the end of the world in his latest exercise in global cataclysm that tells of the heroic struggle of the survivors "2012," opens theaters today.
People who view screenwriting as an art and don't particularly care about audience reaction to their films. But Mr. Emmerich , the hollywood's most successful one-trick pony, claims to favor "human stories" over spectacle, he has taken that very kind of formula writing and made a veritable empire out of it, returning every few years to destroy some corner of the earth and invent a handful of earnest heroes, wisecracking sidekicks and solemn old men to survive his newest take on the apocalypse. "2012" is crammed with state-of-the-art digital effects. A few teacups get chipped: California slides into the sea; Yellowstone Park blows straight up into the sky; disasters flattening Rio's Christ the Redeemer statue, St.Peter's Basilica and the White House; massive floods and fires; and a giraffe being rescued by helicopter. That's just the opening act.
In "2012," our premier Hollywood disastermeister Mr.Emmerich flips our entire planet on its head. Following an academic researcher who opens a portal into a parallel universe, making contact with his double in an effort to prevent the catastrophic prophecies of the ancient Mayan calendar from coming to pass. When a global cataclysm thrusts the world into chaos, divorced writer and father Jackson Curtis (John Cusack) uses his knowledge of the ancient prophecies to ensure that the human race is not completely wiped out. Chiwetel Ejiofor, Danny Glover, Amanda Peet, Thandie Newton, and Oliver Platt round out the cast of this thriller.
Mr. Emmerich claims that "2012" is his final disaster movie, unless "Independence Day 2" ever gets off the ground, and the movie is nothing if not an indulgent curtain call for the man who figured out how much we like watching cinematic portrayals of our own demise. It's all the reasons we've ever loved or hated his movies, but also a reminder of why it's high time to move on. Alternately eye-popping, brain-bruising, and certifiably insipid, "2012" will absolutely appeal to anyone who enjoys watching films ironically.
People who view screenwriting as an art and don't particularly care about audience reaction to their films. But Mr. Emmerich , the hollywood's most successful one-trick pony, claims to favor "human stories" over spectacle, he has taken that very kind of formula writing and made a veritable empire out of it, returning every few years to destroy some corner of the earth and invent a handful of earnest heroes, wisecracking sidekicks and solemn old men to survive his newest take on the apocalypse. "2012" is crammed with state-of-the-art digital effects. A few teacups get chipped: California slides into the sea; Yellowstone Park blows straight up into the sky; disasters flattening Rio's Christ the Redeemer statue, St.Peter's Basilica and the White House; massive floods and fires; and a giraffe being rescued by helicopter. That's just the opening act.
In "2012," our premier Hollywood disastermeister Mr.Emmerich flips our entire planet on its head. Following an academic researcher who opens a portal into a parallel universe, making contact with his double in an effort to prevent the catastrophic prophecies of the ancient Mayan calendar from coming to pass. When a global cataclysm thrusts the world into chaos, divorced writer and father Jackson Curtis (John Cusack) uses his knowledge of the ancient prophecies to ensure that the human race is not completely wiped out. Chiwetel Ejiofor, Danny Glover, Amanda Peet, Thandie Newton, and Oliver Platt round out the cast of this thriller.
Mr. Emmerich claims that "2012" is his final disaster movie, unless "Independence Day 2" ever gets off the ground, and the movie is nothing if not an indulgent curtain call for the man who figured out how much we like watching cinematic portrayals of our own demise. It's all the reasons we've ever loved or hated his movies, but also a reminder of why it's high time to move on. Alternately eye-popping, brain-bruising, and certifiably insipid, "2012" will absolutely appeal to anyone who enjoys watching films ironically.
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