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Pixie Lott Gets Seductive In "What Do You Take Me For?" Video

Posted by Kevin Z. Rong Tuesday, October 11, 2011

British pop starlet Pixie Lott has unveiled the brand music video for for her new jam "What Do You Take Me For?" a collaboration featuring New York rapper Pusha T and produced by dubstep mixer Rusko, the new track, set to drop on November 7th, is the second cut taken from Lott's forthcoming sophomore studio album, "Young Foolish Happy," is scheduled for release on the same date as the single in UK.
The singer was discovered when she was just 15 years old by famed producer L.A. Reid, who signed her to Def Jam Records. Talking about the album's title, Lott once explained, "It was inspired by a lyric from an old soul song that I love by The Tams called 'Be Young, Be Foolish, Be Happy' - 'Young Foolish Happy' pretty much sums up the vibe of my album. It's a feel good party album but with lots of soul. I also think its a great sentiment for all ages to live life by!"
"What Do You Take Me For" is a stand-out track, full of energy and fantastic performances, which has described as an intoxicating unique blend of funk samples and warping basslines. The track features rising rapper Pusha T, who recently signed to Kanye West's label Good Music. Follow-up to her this Summer No.1 single "All About Tonight," Lott is finally taking risks because "What Do You Take Me For" is different to anything she's ever released or better yet recorded, and brings out her sexy vocals on scene, and very sleek clip.
The 20-year-old Bromley born singer in a black leotard and matching boots performing a collection of seductive and flirts with the camera as she dances sexy routines created by Beyoncé Knowles' choreographer. Directed by Declan Whitebloom, the promo is a high-energy sequence of contemporary dance moves between the two singers and putting their best feet forward with their back up dance teams in an explosive and upbeat performance. Lott is up next using her amazing voice, dance moves, and legs to leave viewers hypnotized.

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